No Other Choice – first-look review
[ad_1] In Donald Westlake’s 1997 horror novel ‘The Ax’, a recently laid-off manager at a paper company decides to thin out the competition in the job pool
Ish – first-look review | Little White Lies
[ad_1] While planes roar overhead on their way to or from the nearby Luton Airport, Ish (Farhan Hasnat) and his best friend Maram (Yahya Kitana)
Frankenstein – first-look review | Little White Lies
[ad_1] Guillermo del Toro first voiced his dream of making a “faithful Miltonian tragedy” version of Mary Shelley’s ‘Frankenstein’ back in 2007, just after announcing
Rose of Nevada – first-look review
[ad_1] I came into this world eyes crossed, the small tip of my nose made bow. The moment my spine steadied and my words arrived,
After the Hunt – first-look review
[ad_1] Desire is the lifeblood that runs through Luca Guadagnino’s filmography. Usually this takes the form of carnal or romantic need – though through Bones
Eddington | Sorry, Baby + Eva Victor | Blazing Saddles (1974)
[ad_1] On Truth & Movies this week, we discuss Ari Aster’s return with neo-western Eddington as well Eva Victor’s astonishing debut Sorry, Baby and she
Together | Materialists | Blue Valentine (2010)
[ad_1] On Truth & Movies this week, we discuss all things co-dependency cinema with Alison Brie horror flick Together, Celine Song’s romantic drama Materialists. Finally
Mother Vera review – complex and highly affecting
[ad_1] Inner turmoil and spiritual crisis, set against the austere black-and-white backdrop of the monastic environment, provides the context for Cécile Embleton and Alys Tomlinson’s
Ghost Elephants – first-look review
[ad_1] There are certain filmmakers where each utterance becomes a gravitational pull, and Werner Herzog – charming anticonformist, profound depictor of hubris, reality television fan, chicken
The Toxic Avenger review – an infuriatingly…
[ad_1] “Just play the fucking hits,” is the advice given by grotesquely combed-over, club-footed Fritz Garbinger (Elijah Wood) to members of local band The Killer