The Courageous review – a strikingly realistic…
[ad_1] Single mother Jule (Ophélia Kolb) takes her three children to a restaurant and promises to be back in five minutes. A long time passes without Jule’s
The Smashing Machine – first-look review
[ad_1] Of course there have been inevitable (and not entirely unfair) jokes about The Rock running for an Oscar since The Smashing Machine was announced,
Honey Don’t! review – silly and very, very slight
[ad_1] Ethan Coen has earned the right to do whatever the hell he wants when it comes to making art. Whether that translates to whatever
Afternoons of Solitude review – astonishing,…
[ad_1] The closest literary analogue to Albert Serra’s astonishing new film, Afternoons of Solitude, is Ernest Hemmingway’s lyrical exploration into the grisly allure of bullfighting
The Roses | Caught Stealing | Venice Film Festival
[ad_1] Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest
The Testament of Ann Lee – first-look review
[ad_1] One of my favourite Wikipedia pages is entitled ‘List of people claimed to be Jesus’ which documents, as one might gather, people throughout history
Nuestra Tierra – first-look review
[ad_1] Lucrecia Martel’s years-in-the-making documentary about the murder of an Indigenous Argentinian man starkly lays out the rigged justice system in her homeland. Landmarks is
Late Fame – first-look review
[ad_1] After decades spent working for the United States Postal Service in New York City, Ed Saxberger (Willem Dafoe) returns home one day to his
The Wizard of the Kremlin – first-look review
[ad_1] The loudest reaction during both press screenings of Olivier Assayas’s The Wizard of the Kremlin at the Venice Film Festival happened before the film even
Cover-Up – first-look review | Little White Lies
[ad_1] When investigative journalist Seymour “Sy” Hersh is asked what made him a suitable candidate to run his father’s store in Chicago, he shrugs, “Pizazz. Like