The Front Room review – a strangely scatalogical chamber piece
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Matt and Mara review – a sharp dramedy with magnetic leads
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‘We’re witnessing an awakening of consciousness’
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The Last Dance review – air-headed escapism
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Emilia Pérez review – a musical that barely wants to be a musical
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Dahomey review – a blueprint for anti-colonialist action
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The Room Next Door review – something is missing
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Deciphering Don Hertzfeldt’s ME
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The Crime is Mine review – Huppert steals the show
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Can a 100-year-old cinema survive without a venue?
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