Along Came Love review – an intimately epic love…
[ad_1] At a funeral, a character reads out the deceased’s favourite poem; it’s a blazing, lonely love poem that articulates the private space where passions
The Ritual review – fails to scare, entertain or…
[ad_1] The release of a new exorcism movie has become a rather mundane ritual, but the latest, unimaginatively named The Ritual, follows in the footsteps
Bogancloch review – film and landscape are as one
[ad_1] In his 2011 film Two Years at Sea, artist/filmmaker Ben Rivers decamped to Scottish wilds with his hand-cranked 16mm camera and hung out with
Dangerous Animals review – why sharks? They’re…
[ad_1] Near the beginning of Sean Byrne’s Dangerous Animals, Surfers Paradise local Moses (Josh Heuston) asks American free spirit Zephyr (Hassie Harrison) if she likes
Falling Into Place review – Sally Rooney-core for…
[ad_1] Someone has been reading a little too much Sally Rooney, and that someone is director/writer and star Aylin Tezel, whose ambitious debut feature, Falling
Introducing… La Dolce Vita: A Celebration of…
[ad_1] To celebrate Disaronno’s 500-year anniversary*, we’ve teamed up with the iconic Italian liqueur makers to bring you an extra special cinematic treat: a two-month
Celebrate 500 Years of Disaronno This Summer
[ad_1] To honour half a millennium of tradition and innovation, Disaronno invites you to join the worldwide celebration by posting a toast on social media
The Encampments review – inspiring portrait of…
[ad_1] With documentaries exploring very recent events, filmmakers can source all the relevant footage and interviews needed in a short period of time. But conventional
Bogancloch review – film and landscape are as one
[ad_1] The lure of the Scottish wilderness was too much to resist as Ben Rivers returns there for his latest feature. In his 2011 film
Dangerous Animals review – why sharks? They’re cinematic!
[ad_1] Predators and prey share the same terrain in this psychologically twisted shark thriller from genre filmmaker Sean Byrne. Near the beginning of Sean Byrne’s