Two Prosecutors – first-look review
[ad_1] Innocent people nabbed from their homes and imprisoned under false pretences. Terror-driven interrogation methods employed to secure phoney confessions. Revolting, filth-caked jail cells that
Magic Farm review – Amalia Ulman has plenty up…
[ad_1] How do you follow up an acclaimed debut? Amalia Ulman’s answer is to commit to satirical absurdism wholeheartedly. Following her 2021 mother-daughter comedy El
Final Destination: Bloodlines review – an absurd,…
[ad_1] It’s now 25 years since Fly 180 departed JFK airport bound for Paris and promptly blew up above the New York skyline. In the
Hallow Road review – heavily signposted horror
[ad_1] Dread is a constant in this Babak Anvari directed chamber piece mostly set inside a car on a late night journey. Hallow Road is
Sirât – first-look review | Little White Lies
[ad_1] Euphoria and devastation are the twin emotional poles that prop up the lopsided big top that is Oliver Laxe’ Sirât, a film about life,
Dossier 137 – first-look review
[ad_1] This robust if hardly revelatory police procedural coasts on an detailed and charismatic lead performance from Léa Drucker. In late 2018, France ground to
The Plague – first-look review
[ad_1] To stand out as a teenager is to make yourself a target. The pack mentality that dominates most group settings for children renders conformity
The Mysterious Gaze of the Flamingo – first-look…
[ad_1] In striking opening credits, boiling copper pours from atop a grey mountain like lava, a sluggish, powerful current that exists as a dichotomy: the
The Chronology of Water – first-look review
[ad_1] The transformative power of water lies at the heart of American writer Lidia Yuknavitch’s memoir, informed by her adolescent dreams of swimming being her
La Petite Dernière – first-look review
[ad_1] For all its big themes, there is a vagueness to Hafsia Herzi’s anecdotal character study about a 17-year-old named Fatima (Nadia Melliti in her