The Dreamworld Aesthetic of 8½
[ad_1] Through its visionary cinematography and costume design, Federico Fellini’s 1963 film masterfully blurs the lines between memory, reality and fantasy. This feature is the
Introducing… La Dolce Vita: A Celebration of…
[ad_1] To celebrate Disaronno’s 500-year anniversary*, we’ve teamed up with the iconic Italian liqueur makers to bring you an extra special cinematic treat: a two-month celebration
How To Train Your Dragon review – never quite…
[ad_1] Live-action remakes have come to dominate the kickoff of the summer movie season. Dean DeBlois and Chris Sanders, the creative duo behind early 2000s
Lollipop review – a gut-punching debut
[ad_1] The past couple of years have seen an influx of women filmmakers bringing timely, working-class stories to the big screen with lived reverence and
This Must Be the Place: A Queer East…
[ad_1] This is the first of three pieces published in collaboration with Queer East Film Festival, whose Emerging Critics project brought together six writers for a
This Must Be the Place: A Queer East…
[ad_1] This is the first of three pieces published in collaboration with Queer East Film Festival, whose Emerging Critics project brought together six writers for a
The Extraordinary Miss Flower review – an…
[ad_1] A slight conflict of interest here, as the producer of Iain Forsyth and Jane Pollard’s The Extraordinary Miss Flower is named Zoe Flower and
Tornado review – tries a bit too hard to be…
[ad_1] An entire decade has slipped by since the release of John Maclean’s debut feature, the frisky meta western Slow West, which, if nothing else,
The Wedding Banquet review – an unexpected delight
[ad_1] The first explicitly gay film director Andrew Ahn ever saw was Ang Lee’s The Wedding Banquet. A comedy drama about a gay Taiwanese-American man
The enduring horror of Kiss Me Deadly
[ad_1] Heavy breathing, bare feet running on the asphalt, and a desperation so intense that it makes a woman put herself in front of a