Jurassic World: Rebirth review – struggles to…
[ad_1] Rather than a triumphant replay of the old hits, Jurassic World: Rebirth is a bit more like Malibu Stacy with a new hat. It’s a repackaged product with a couple of
Basketball: A Cinematic History | Little White Lies
[ad_1] White Men Can’t Jump is about as graceful as pop filmmaking can be. On the surface it’s a touch formulaic – the basketball movie as
Hot Milk review – never properly gels
[ad_1] Rebecca Lenkiewicz adapts Deborah Levy’s best-selling novel, but the result is lacklustre. This icy psychodrama of deep familial discord plays out on the powdery-hot
GriefTech: Death and Technology in The Shrouds,…
[ad_1] This trend can also be traced in recent television series. In Apple TV+’s Severance, biocorp giant Lumon manufactures brain chips that allow users to “sever,”
Severed, Reprinted, Impersonated: The Rise of Cinema’s ‘Work Double’
[ad_1] A spate of recent works are pondering the concept of replicating or separating oneself in response to our increasingly economically perilous world. When the
The Shrouds review – precision filmmaking of the…
[ad_1] It’s become a cliché to say that David Cronenberg’s The Fly remains one of the most heartbreaking films of the 1980s, a film which culminates in
Jurassic Park and the story of the modern…
[ad_1] One sub-strand of popular criticism that interests me greatly is when someone claims to have “a theory” about a movie. It’s generally some kind of
Jurassic World | Little White Lies
[ad_1] There is exactly one brilliant moment in Colin Trevorrow’s Jurassic World: a teenage boy named Zach (Nick Robinson) strolls through the T‑Rex exhibit at the
Jurassic World: Fallen Kingdom | Little White Lies
[ad_1] Something has gone very wrong in the lab. Twenty-five years ago, Steven Spielberg birthed the modern blockbuster as we know it with his awe-inspiring adaptation of Michael Crichton’s classic
Jurassic Lark: The satirical genius of Jim Henson’s Dinosaurs
[ad_1] Animatronic puppets, searing social commentary, this short-lived early ’90s sitcom had it all. Reptilian newsreader Howard Handupme looks to camera: “A meteor, three times