{"id":348534,"date":"2025-09-28T04:01:36","date_gmt":"2025-09-28T09:01:36","guid":{"rendered":"https:\/\/michigandigitalnews.com\/index.php\/2025\/09\/28\/ellis-park-review-prioritises-heart-over-clarity\/"},"modified":"2025-09-28T04:01:36","modified_gmt":"2025-09-28T09:01:36","slug":"ellis-park-review-prioritises-heart-over-clarity","status":"publish","type":"post","link":"https:\/\/michigandigitalnews.com\/index.php\/2025\/09\/28\/ellis-park-review-prioritises-heart-over-clarity\/","title":{"rendered":"Ellis Park review \u2013 prioritises heart over clarity"},"content":{"rendered":"<p> [ad_1]<br \/>\n<br \/><img decoding=\"async\" src=\"https:\/\/cdn.craft.cloud\/26ed9c78-feb7-4ee6-8ddf-262fd7bafb2d\/assets\/tco\/images\/Ellis-Park-courtesy-of-Conic.jpg\" \/><\/p>\n<div>\n<p dir=\"ltr\"><span>Therapy, as we know, can take a\u00a0number of different forms. For Australian multi-instrumentalists and Nick Cave cohort, Warren Ellis, this process of self-enrichment encompasses a\u00a0wildlife sanctuary for abused animals in Sumatra. Filmmaker Justin Kurzel captures Ellis\u2019s musical theorising and grey-beard musings and then contextualises them against a\u00a0trip to the titular park where we meet Femke den Haas and her team of caretakers, whose process of healing and being healed by the animals parallels the subject\u2019s own self-care methods while also forming the film\u2019s central thesis.<\/span><\/p>\n<p dir=\"ltr\"><span>Yet, in presenting these parallel subjects, <\/span><i><span>Ellis Park<\/span><\/i><span> is a\u00a0mixed success. Its raw materials \u2013 Ellis with his eccentric and energetic performances, the animals with their fragile lives \u2013 are its biggest strengths sonically, aesthetically and intellectually. For a\u00a0while, just letting these elements exist on camera is sufficient for pleasure. Though flaws in Kurzel\u2019s method of presentation soon become apparent, specifically in his attempts to be spontaneous and cinematically pristine in the same breath. His camera explores spaces in haphazard, documentary-style movements, while the cinematic depth of field stays claustrophobically fixed on about ten percent of the\u00a0frame.\u00a0<\/span><\/p>\n<div class=\"my-10 bg-[var(--color-background-accent)] font-primary text-[16px] font-bold rounded-[16px] p-8\">\n<h3 class=\"!mb-4 text-[24px]\">Get more Little White\u00a0Lies<\/h3>\n<\/p><\/div>\n<p dir=\"ltr\"><span>The connection between Ellis\u2019s troubled past and that of the animals at best doesn\u2019t seem properly worked out, and at worst seems overstated. By his own admission, Ellis\u2019s problems are rather small in comparison to those of, say, Rina the monkey who lives with no arms (the real star of the film), so it\u2019s hard to see how the two can\u2019t easily be equated. This must mean that one is being applied to the other: either the animals are given human dignity by being likened to him, or he is likened to them to justify his own development. The significant prejudice in run-time towards Ellis reflects this, and given the valuable empathy of the time that is devoted to the animals, this seems a\u00a0shame. Rather than connecting, the two elements collide.<\/span><\/p>\n<\/p><\/div>\n<p><script>\n  !function(f,b,e,v,n,t,s)\n  {if(f.fbq)return;n=f.fbq=function(){n.callMethod?\n  n.callMethod.apply(n,arguments):n.queue.push(arguments)};\n  if(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0';\n  n.queue=[];t=b.createElement(e);t.async=!0;\n  t.src=v;s=b.getElementsByTagName(e)[0];\n  s.parentNode.insertBefore(t,s)}(window, document,'script',\n  'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\n  fbq('init', '844332942710770');\n  fbq('track', 'PageView');\n<\/script><br \/>\n<br \/>[ad_2]<br \/>\n<br \/><a href=\"https:\/\/lwlies.com\/reviews\/ellis-park\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[ad_1] Therapy, as we know, can take a\u00a0number of different forms. For Australian multi-instrumentalists and Nick Cave cohort, Warren Ellis, this process of self-enrichment encompasses<\/p>\n","protected":false},"author":1,"featured_media":348535,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[166],"tags":[],"_links":{"self":[{"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/348534"}],"collection":[{"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/comments?post=348534"}],"version-history":[{"count":0,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/348534\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/media\/348535"}],"wp:attachment":[{"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/media?parent=348534"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/categories?post=348534"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/tags?post=348534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}