{"id":348025,"date":"2025-09-12T07:05:48","date_gmt":"2025-09-12T12:05:48","guid":{"rendered":"https:\/\/michigandigitalnews.com\/index.php\/2025\/09\/12\/from-ground-zero-stories-from-gaza-review-a\/"},"modified":"2025-09-12T07:05:48","modified_gmt":"2025-09-12T12:05:48","slug":"from-ground-zero-stories-from-gaza-review-a","status":"publish","type":"post","link":"https:\/\/michigandigitalnews.com\/index.php\/2025\/09\/12\/from-ground-zero-stories-from-gaza-review-a\/","title":{"rendered":"From Ground Zero: Stories from Gaza review \u2013 a\u2026"},"content":{"rendered":"<p> [ad_1]<br \/>\n<br \/><img decoding=\"async\" src=\"https:\/\/cdn.craft.cloud\/26ed9c78-feb7-4ee6-8ddf-262fd7bafb2d\/assets\/tco\/images\/From-Ground-Zero.jpg\" \/><\/p>\n<div>\n<p dir=\"ltr\"><span>For anyone that has paid even a\u00a0modicum of attention to the daily images coming out of Palestine, the scenes that make up\u00a0<\/span><i>From Ground Zero<\/i><span> will be very familiar. Compiled of <span class=\"numbers\">22<\/span> shorts, all created since Israel increased their military efforts against Palestine in <span class=\"numbers\">2023<\/span>, this anthology does exactly what the title suggests: it documents the experiences of Palestinians on the ground in Gaza, currently undergoing relentless violence from the Israeli occupation. The images are similar to those shared by Palestinian journalists on social media \u2013 young boys assuming the role of men, running to gather scraps of food for their families, mothers wailing in the streets, men digging through the rubble of destroyed buildings with their bare hands, determined to save whoever they can. But interspersed between these scenes of anguish are moments of joy, hope, and resilience.<\/span><\/p>\n<p dir=\"ltr\"><span>Produced by legendary Palestinian filmmaker Rashid Masharawi,\u00a0<\/span><i>From Ground Zero<\/i><span> joins a\u00a0long tradition of Palestinian filmmaking that aims to showcase the wide range of stylistic sensibilities possessed by the country\u2019s artists. The result is a\u00a0patchwork quilt of documentaries, narrative reenactments, and animated films where the messiness of its structure can be forgiven by the urgency of its subject matter. The film opens with <span class=\"push-single\"\/>\u200b<span class=\"pull-single\">\u2018<\/span>Selfies\u2019 by Reema Mahmoud, a\u00a0day-in-the-life video where Mahmoud recounts her experience of the <span class=\"numbers\">2014<\/span> Gaza war, where her father and <span class=\"numbers\">17<\/span> members of her family were killed in a\u00a0bombing. She describes <span class=\"push-double\"\/>\u200b<span class=\"pull-double\">\u201c<\/span>the timezone of war\u201d where she spends her days wishing for the escape of the night, and her nights awaiting the relative safety of daylight. <span class=\"push-double\"\/>\u200b<span class=\"pull-double\">\u201c<\/span>Dear unknown friend,\u201d she says, <span class=\"push-double\"\/>\u200b<span class=\"pull-double\">\u201c<\/span>my advice to you: enjoy life. Because life is beautiful and war is\u00a0ugly.\u201d<\/span><\/p>\n<div class=\"my-10 bg-[var(--color-background-accent)] font-primary text-[16px] font-bold rounded-[16px] p-8\">\n<h3 class=\"!mb-4 text-[24px]\">Get more Little White\u00a0Lies<\/h3>\n<\/p><\/div>\n<p dir=\"ltr\"><span>The rest of the shorts follow in a\u00a0similar vein. One uses stop-motion animation as the medium through which children discuss the practice of writing their names on their bodies so that, should they be caught in a\u00a0bombing, their body parts may be identified and gathered together. Another takes a\u00a0more experimental approach, blending nightmarish black and white sequences with vivid images of celebration to paint a\u00a0disorienting picture of loss. As is the case with most anthologies of this size, some of these films feel more realised than others, but how can we truly critique art made under such horrific conditions? The incessant buzzing of drones punctuate almost every short \u2013 that these filmmakers could produce anything while enduring an ongoing genocide feels like an incredible feat of cinema. Palestinians may be censored and shunned by Western media, but cinema remains one of the last spaces where they\u2019ve been able to tell their story on their own\u00a0terms.\u00a0<\/span><\/p>\n<p dir=\"ltr\"><span>In a\u00a0better world, a\u00a0film like this wouldn\u2019t have to exist. These artists would be free to make whatever they desired, completely uninhibited by the need to document the horrors of their current reality. Instead, we\u2019re left to wonder how many of these filmmakers are still with us. In <span class=\"push-single\"\/>\u200b<span class=\"pull-single\">\u2018<\/span>Sorry Cinema\u2019, award-winning filmmaker Ahmed Hassouna says he has abandoned his dreams of cinema in favour of keeping his children alive. He ends with a\u00a0heartbreaking plea: <span class=\"push-double\"\/>\u200b<span class=\"pull-double\">\u201c<\/span>Cinema, forgive me.\u201d In reality, it is us who should be begging forgiveness \u2013 for our inability to force material change, and the chilling indifference of our cowardly leaders.\u00a0<\/span><\/p>\n<p dir=\"ltr\"><i>From Ground Zero<\/i><span> is a\u00a0heartbreaking snapshot of an unforgivable moment in history, and as this tapestry of Palestinian life unfolds on our screens, we must heed the call of the artists who made it. Enjoy life, yes, but do something, anything, to ensure that they might enjoy life\u00a0too.<\/span><\/p>\n<\/div>\n<p><script>\n  !function(f,b,e,v,n,t,s)\n  {if(f.fbq)return;n=f.fbq=function(){n.callMethod?\n  n.callMethod.apply(n,arguments):n.queue.push(arguments)};\n  if(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0';\n  n.queue=[];t=b.createElement(e);t.async=!0;\n  t.src=v;s=b.getElementsByTagName(e)[0];\n  s.parentNode.insertBefore(t,s)}(window, document,'script',\n  'https:\/\/connect.facebook.net\/en_US\/fbevents.js');\n  fbq('init', '844332942710770');\n  fbq('track', 'PageView');\n<\/script><br \/>\n<br \/>[ad_2]<br \/>\n<br \/><a href=\"https:\/\/lwlies.com\/reviews\/stories-from-gaza\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[ad_1] For anyone that has paid even a\u00a0modicum of attention to the daily images coming out of Palestine, the scenes that make up\u00a0From Ground Zero<\/p>\n","protected":false},"author":1,"featured_media":348026,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[166],"tags":[],"_links":{"self":[{"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/348025"}],"collection":[{"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/comments?post=348025"}],"version-history":[{"count":0,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/348025\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/media\/348026"}],"wp:attachment":[{"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/media?parent=348025"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/categories?post=348025"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/tags?post=348025"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}