{"id":347203,"date":"2025-08-22T08:36:47","date_gmt":"2025-08-22T13:36:47","guid":{"rendered":"https:\/\/michigandigitalnews.com\/index.php\/2025\/08\/22\/put-your-soul-on-your-hand-and-walk-review-we-must-keep-fatma-hassonas-memory-alive\/"},"modified":"2025-08-22T08:36:47","modified_gmt":"2025-08-22T13:36:47","slug":"put-your-soul-on-your-hand-and-walk-review-we-must-keep-fatma-hassonas-memory-alive","status":"publish","type":"post","link":"https:\/\/michigandigitalnews.com\/index.php\/2025\/08\/22\/put-your-soul-on-your-hand-and-walk-review-we-must-keep-fatma-hassonas-memory-alive\/","title":{"rendered":"Put Your Soul On Your Hand And Walk review \u2013 we must keep Fatma Hassona&#039;s memory alive"},"content":{"rendered":"<p> [ad_1]<br \/>\n<\/p>\n<article>\n                <main><\/p>\n<div><img decoding=\"async\" src=\"https:\/\/cdn.craft.cloud\/26ed9c78-feb7-4ee6-8ddf-262fd7bafb2d\/assets\/tco\/images\/Put-Your-Soul-On-Your-Hand-and-Walk.jpg?width=600&amp;quality=75&amp;fit=scale-down&amp;s=2t2Qag1rLXWTMnznZlbpeZR6_6J478l6FFGFh1T9Iho\" alt=\"Woman laughing wearing green headscarf and glasses on a smartphone screen.\" \/><\/div>\n<p><p>Sepideh Farsi&#8217;s video calls with the late Palestinian photographer Fatma Hassona vividly document daily life in Gaza under Israel&#8217;s unrelenting violence.<\/p>\n<\/p>\n<p dir=\"ltr\"><span>\u201cMeeting her was like a mirror held in front of me that made me realise how both our lives were conditioned by walls and wars,\u201d notes Sepideh Farsi early on in her documentary about the 24-year old Palestinian photographer Fatma Hassona, which is made up almost entirely of video calls between the two. In Farsi\u2019s film, walls manifest in the form of screens as she opts for filming her smartphone during these calls, as well as her laptop and television screens with snippets of news broadcasts. It\u2019s by no means a refined approach, but as the images of genocide that we\u2019re confronted with on a daily basis are mediated to us by our screens, it\u2019s a decision that makes perfect sense. Here, the frame of Farsi\u2019s smartphone screen \u2013 where we see an always-smiling Fatma, blurry, pixelated, interrupted by poor connection \u2013 is yet another wall that lays bare the infrastructures of occupation that compress time and keep Fatma so far out of our reach.<\/span><\/p>\n<p dir=\"ltr\"><span>Albeit somewhat hindering the affective impact of Fatma\u2019s photography and poetry, Farsi\u2019s unfiltered, raw approach mirrors the nature of our own spectatorship. On this side of the screen, we cannot stop Palestinians from starving, from grieving, from dying at the hands of genocidal maniacs. At the same time, it is complete absurdity to not be talking about anything other than Palestine. All we can do is refuse to look away. In bearing witness, we can regard the pain of others as our own.\u00a0<\/span><\/p>\n<div class=\"cookieconsent-optin-marketing cookieconsent-optin-statistics\">\n<div style=\"text-align: center\">\n<div style=\"position: relative;width: 100%;padding-bottom: 56.49999999999999%\">\n<div style=\"position: absolute;top: 0;left: 0;width: 100%;height: 100%\"><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<p>                                          <\/main><\/p>\n<footer>\n<p>The post <a rel=\"nofollow\" href=\"\/reviews\/put-your-soul-on-your-hand-and-walk\">Put Your Soul On Your Hand And Walk review \u2013 we must keep Fatma Hassona&#039;s memory alive<\/a> first appeared on <a rel=\"nofollow\" href=\"https:\/\/lwlies.com\/\">Little White Lies<\/a>.<\/p>\n<\/footer>\n<\/article>\n<p>[ad_2]<br \/>\n<br \/><a href=\"https:\/\/lwlies.com\/reviews\/put-your-soul-on-your-hand-and-walk\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[ad_1] Sepideh Farsi&#8217;s video calls with the late Palestinian photographer Fatma Hassona vividly document daily life in Gaza under Israel&#8217;s unrelenting violence. \u201cMeeting her was<\/p>\n","protected":false},"author":1,"featured_media":347204,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[166],"tags":[],"_links":{"self":[{"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/347203"}],"collection":[{"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/comments?post=347203"}],"version-history":[{"count":0,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/347203\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/media\/347204"}],"wp:attachment":[{"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/media?parent=347203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/categories?post=347203"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/tags?post=347203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}