{"id":254446,"date":"2024-08-15T04:59:24","date_gmt":"2024-08-15T04:59:24","guid":{"rendered":"https:\/\/michigandigitalnews.com\/index.php\/2024\/08\/15\/romulus-is-a-magnificent-return-to-form\/"},"modified":"2025-06-25T17:12:23","modified_gmt":"2025-06-25T17:12:23","slug":"romulus-is-a-magnificent-return-to-form","status":"publish","type":"post","link":"https:\/\/michigandigitalnews.com\/index.php\/2024\/08\/15\/romulus-is-a-magnificent-return-to-form\/","title":{"rendered":"Romulus is a magnificent return to form"},"content":{"rendered":"<p> [ad_1]<br \/>\n<\/p>\n<div>\n<p>Set between the original <em>Alien<\/em> and its more bombastic sequel, <em>Aliens<\/em>, Fede Alvarez&#8217;s <em>Alien: Romulus <\/em>echoes the the greatest elements of those films, while also delivering his own spin on the 45-year-old franchise. There&#8217;s the elegant interplay of light and shadow from <em>Alien<\/em>, along with nods to Ridley Scott&#8217;s artful aesthetic. And there are finely crafted set pieces evoking the horror and sheer badassery of James Cameron&#8217;s <em>Aliens<\/em>. But Alvarez also expands the <em>Alien <\/em>universe by focusing on a group of twenty-somethings who were raised in a decrepit Weyland-Yutani colony, and whose main goal is to escape the bureaucratic clutches of their corporate overlords.<\/p>\n<div class=\"caas-iframe-wrapper\" data-embed-anchor=\"d254e2ae-1fec-52a3-9df9-1cee88fc5e54\">\n<div class=\"caas-iframe youtube\" style=\"padding-bottom:56%\" data-type=\"youtube\">\n<blockquote data-src=\"https:\/\/www.youtube.com\/embed\/OzY2r2JXsDM?rel=0\" scrolling=\"no\"><p><noscript><iframe title=\"Alien: Romulus | Official Trailer\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/OzY2r2JXsDM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/noscript><\/p><\/blockquote>\n<\/div>\n<\/div>\n<p>While it&#8217;s easy to dismiss <em>Alien: Romulus <\/em>as a mere rehash meant to appeal to younger audiences, it&#8217;s hard to deny the sheer level of craft on display. Alvarez&#8217;s eye for composition was clearly influenced by the series auteurs, from the opening shot of a field of stars that reveals a crashed ship rendered invisible by the blackness of space, to later sequences set alongside a planet&#8217;s ice-filled rings. And he can masterfully orchestrate tension for both action and horror, another skill borrowed from Scott and Cameron. Just like Alvarez&#8217;s hyper violent (and excellent!) <em>Evil Dead <\/em>remake, he\u2019s able to put his own spin on an iconic horror franchise without being a slavishly devoted fanboy.<\/p>\n<figure class=\"caas-figure prestige-figure large\">\n<div class=\"caas-img-container caas-img-loader caas-breakout-shift\">\n<div class=\"breakout-img-container\"><img fetchpriority=\"high\" decoding=\"async\" class=\"caas-img caas-lazy has-preview has-width\" alt=\"(L-R): Cailee Spaeny as Rain Carradine and David Jonsson as Andy in 20th Century Studios' ALIEN: ROMULUS. Photo by Murray Close. \u00c2\u00a9 2024 20th Century Studios. All Rights Reserved.\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/OFSPpDJIe4ES4jLTBbqPUg--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTI4ODA7aD0xOTIw\/https:\/\/s.yimg.com\/os\/creatr-uploaded-images\/2024-08\/2ba45910-5a71-11ef-ae33-fee70deed7cc\" height=\"960\" width=\"1440\"\/><img decoding=\"async\" alt=\"(L-R): Cailee Spaeny as Rain Carradine and David Jonsson as Andy in 20th Century Studios' ALIEN: ROMULUS. Photo by Murray Close. \u00c2\u00a9 2024 20th Century Studios. All Rights Reserved.\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/OFSPpDJIe4ES4jLTBbqPUg--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTI4ODA7aD0xOTIw\/https:\/\/s.yimg.com\/os\/creatr-uploaded-images\/2024-08\/2ba45910-5a71-11ef-ae33-fee70deed7cc\" height=\"960\" width=\"1440\" class=\"caas-img has-width\"\/><\/div>\n<\/div><figcaption class=\"caption-collapse\"><span class=\"caption-credit\"> Murray Close<\/span><\/figcaption><\/figure>\n<p>Our Ripley counterpart for <em>Alien: Romulus<\/em> is Rain (Cailee Spaeny), a young woman who recently lost both of her parents to a Weyland-Yutani mining operation. The only family she has left at a sun-less backwater colony is her brother Andy (David Jonsson), a malfunctioning android who&#8217;s directed to care for her.<\/p>\n<p>After Rain&#8217;s request to leave her colony is denied and her mandatory work commitment is unjustifiably extended by several years, she joins a group of friends to covertly head off-world. The plan involves stealing cryostasis pods from a decommissioned space station \u2014 which, as you might expect, houses untold horrors. As Rain and her friends explore the station, they encounter facehuggers, get a quick lesson in Xenomorph biology and find themselves being hunted down one by one.<\/p>\n<p>Spaeny is effortlessly believable as an empathetic-yet-tough heroine (a notable accomplishment as she&#8217;s practically a full foot shorter than the original <em>Alien<\/em> lead, Sigourney Weaver), and Jonsson makes for a compelling and sympathetic android. It&#8217;s somewhat troubling that the film heaps a ton of abuse on its only black character, though, and he doesn&#8217;t get much motivation outside of his programming. Still, Jonsson, who was incredible on the <a data-i13n=\"cpos:1;pos:1\" href=\"https:\/\/www.engadget.com\/entertainment\/tv-movies\/industry-tackles-the-impact-of-overhyped-tech-in-its-ambitious-third-season-170032365.html\" data-ylk=\"slk:first few seasons of Industry;cpos:1;pos:1;elm:context_link;itc:0;sec:content-canvas\" class=\"link \">first few seasons of Industry<\/a>, manages to bring a bit of soul into Andy.<\/p>\n<figure class=\"caas-figure prestige-figure xlarge\">\n<div class=\"caas-img-container caas-img-loader caas-breakout-shift\">\n<div class=\"breakout-img-container\"><img decoding=\"async\" class=\"caas-img caas-lazy has-preview has-width\" alt=\"Isabela Merced as Kay in 20th Century Studios' ALIEN: ROMULUS. Photo courtesy of 20th Century Studios. \u00c2\u00a9 2024 20th Century Studios. All Rights Reserved.\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/MtltyeGqfVMYiw7ueYNiAQ--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTM4NDA7aD0yMDA2\/https:\/\/s.yimg.com\/os\/creatr-uploaded-images\/2024-08\/2ba347a0-5a71-11ef-b3ef-df800b5344d5\" height=\"1003\" width=\"1920\"\/><img loading=\"lazy\" decoding=\"async\" alt=\"Isabela Merced as Kay in 20th Century Studios' ALIEN: ROMULUS. Photo courtesy of 20th Century Studios. \u00c2\u00a9 2024 20th Century Studios. All Rights Reserved.\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/MtltyeGqfVMYiw7ueYNiAQ--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTM4NDA7aD0yMDA2\/https:\/\/s.yimg.com\/os\/creatr-uploaded-images\/2024-08\/2ba347a0-5a71-11ef-b3ef-df800b5344d5\" height=\"1003\" width=\"1920\" class=\"caas-img has-width\"\/><\/div>\n<\/div><figcaption class=\"caption-collapse\"><span class=\"caption-credit\"> 20th Century Studios<\/span><\/figcaption><\/figure>\n<p>Admittedly, we&#8217;ve seen much of this before, but I still think there&#8217;s value in introducing an entirely new generation to the Alien franchise. Scott&#8217;s <em>Prometheus<\/em> and <em>Alien: Covenant <\/em>were intriguing for longtime fans, but they were also bogged down by the director&#8217;s own fascination with androids and Weyland-Yutani backstory. They weren&#8217;t exactly the best entry-point into the series. And sure, <em>Alien<\/em> and <em>Aliens<\/em> are easy to find and remain fantastic films, but I\u2019ve personally found it tough to get some younger audiences to engage with older films.<\/p>\n<p>By focusing on a twenty-something crew instead of older, world-weary space truckers or colonists, <em>Alien: Romulus<\/em> also better captures the viewpoint of a new generation of viewers. But Millennials and Gen Z are well aware the Earth is dying, and they&#8217;ve seen how global corporations got us into this mess.<\/p>\n<figure class=\"caas-figure prestige-figure large\">\n<div class=\"caas-img-container caas-img-loader caas-breakout-shift\">\n<div class=\"breakout-img-container\"><img loading=\"lazy\" decoding=\"async\" class=\"caas-img caas-lazy has-preview has-width\" alt=\"Cailee Spaeny as Rain Carradine in 20th Century Studios' ALIEN: ROMULUS. Photo courtesy of 20th Century Studios. \u00c2\u00a9 2024 20th Century Studios. All Rights Reserved.\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/0UgjNCYvjDQmAYCGIdK_PQ--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTI4ODA7aD0xNTg0\/https:\/\/s.yimg.com\/os\/creatr-uploaded-images\/2024-08\/2ba45910-5a71-11ef-b7e7-32221e4925bd\" height=\"792\" width=\"1440\"\/><img loading=\"lazy\" decoding=\"async\" alt=\"Cailee Spaeny as Rain Carradine in 20th Century Studios' ALIEN: ROMULUS. Photo courtesy of 20th Century Studios. \u00c2\u00a9 2024 20th Century Studios. All Rights Reserved.\" src=\"https:\/\/s.yimg.com\/ny\/api\/res\/1.2\/0UgjNCYvjDQmAYCGIdK_PQ--\/YXBwaWQ9aGlnaGxhbmRlcjt3PTI4ODA7aD0xNTg0\/https:\/\/s.yimg.com\/os\/creatr-uploaded-images\/2024-08\/2ba45910-5a71-11ef-b7e7-32221e4925bd\" height=\"792\" width=\"1440\" class=\"caas-img has-width\"\/><\/div>\n<\/div><figcaption class=\"caption-collapse\"><span class=\"caption-credit\"> 20th Century Studios<\/span><\/figcaption><\/figure>\n<p>It\u2019s not hard to see the parallels between Weyland-Yutani sending workers to their doom to unearth the secrets of the Xenomorphs \u2013 creatures that could potentially wipe out all of humanity \u2013 to the fossil fuel companies ignoring the climate crisis they helped create. The human cost doesn\u2019t matter, not when there\u2019s massive profit potential and shareholder value on the horizon.<\/p>\n<\/div>\n<p>[ad_2]<br \/>\n<br \/><a href=\"https:\/\/www.engadget.com\/entertainment\/tv-movies\/alien-romulus-is-a-magnificent-return-to-form-193025453.html?src=rss\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[ad_1] Set between the original Alien and its more bombastic sequel, Aliens, Fede Alvarez&#8217;s Alien: Romulus echoes the the greatest elements of those films, while<\/p>\n","protected":false},"author":1,"featured_media":254447,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[159],"tags":[],"_links":{"self":[{"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/254446"}],"collection":[{"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/comments?post=254446"}],"version-history":[{"count":0,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/posts\/254446\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/media\/254447"}],"wp:attachment":[{"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/media?parent=254446"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/categories?post=254446"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/michigandigitalnews.com\/index.php\/wp-json\/wp\/v2\/tags?post=254446"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}