[ad_1]
\n<\/p>\n
Armed with a subtle yet rumbling soundscape that gradually escalates into an intricately woven electronic frenzy, LA-based electronic producer Bisaria has marked himself as an artist who\u2019s making incredible strides in the industry. <\/p>\n
Known for weaving Indian themes into his music, he strongly believes in expressing elements of his culture through his sound and aesthetic. Similar sounds and touches can be heard in his original track \u201cFortress<\/em><\/strong>\u201d. His live performances also feature something very distinct \u2013 the alto-saxophone \u2013 skillfully played by Bisaria <\/strong>himself. He has showcased his talent across major cities including Miami, San Francisco, Chicago, New York, and Las Vegas, serving as a supporting act for major artists such as Deadmau5, Flume, Rezz, Duke Dumont, Aluna, Amin\u00e9 <\/strong>and more.<\/p>\n Now, he\u2019s presented a breathtaking rendition of the renowned movie Dune\u2019s expansive soundtrack. By starting with Hans Zimmer\u2019s minimalist \u201cGom Jabbar\u201d track as a foundation and incorporating a primal, tribal scream, Bisaria introduces slow-burning, pulsating percussion and an elegant sitar, yielding a remarkably refreshing interpretation. The result is simultaneously edgy, mysterious, haunting, and compelling, encapsulating a captivating blend of elements.<\/p>\n \u201cThe genesis of this remix was an homage to the ethereal and powerful essence captured in \u201cGom Jabbar<\/strong>\u201d from the 2021 film, Dune<\/strong>. Hans Zimmer<\/strong>\u2019s vision to \u201cunleash that inner strength\u201d through a singular, primal vocal note resonated deeply with me. This track is a fusion of that inspiration with the rich vibrancy of Indian music, embodied through a prominent sitar melody I composed. This piece is one of my attempts at bridging the world of electronic music with my cultural background, akin to Zimmer<\/strong>\u2019s quest for music that defies the conventional, marrying modern with the classical.<\/em>\u201d \u2013 Bisaria<\/strong><\/p>\n<\/blockquote>\n We had the opportunity to chat with Bisaria some more about this work. Check it out below!<\/p>\n What initially drew you to Hans Zimmer\u2019s \u201cGom Jabbar\u201d track from the Dune soundtrack, and what inspired you to create a remix of it? \u2013\u00a0<\/strong><\/p>\n The vocal element of \u201cGom Jabbar\u201d instantly evoked memories from my childhood, particularly the singers at the temples we visited in Rajasthan.\u00a0<\/em><\/p>\n Did you often watch Dune throughout your studio sessions for this remix?<\/strong><\/p>\n I didn\u2019t necessarily watch the film throughout the studio sessions, but I did often explore the rest of the Dune soundtrack, as well as other pieces by Hans Zimmer from different films.<\/em><\/p>\n Separately, there was a re-release I attended ahead of Dune 2\u2019s premiere. Watching it again in a theater setting made me glad I acted on the inspiration I felt two years ago upon my first viewing.<\/em><\/p>\n \u201cFortress,\u201d your latest original track, also features Indian sonic elements. How do you ensure that these cultural elements are authentically represented in your music while still maintaining a contemporary electronic sound?<\/strong><\/p>\n For tracks that lean towards Indian motifs, the inspiration often comes unexpectedly and from a variety of sources \u2014 perhaps most often while listening to (western) classical music if it\u2019s in the minor pentatonic scale.<\/em><\/p>\n Just to be clear \u2014 I don\u2019t position myself as a traditional Indian musician schooled in the genre, but rather as someone deeply influenced by classic Bollywood and religious Indian music from my upbringing \u2014 those melodies\/scales\/instruments resonate with me profoundly. I don\u2019t know if that means it\u2019s not \u201cauthentic,\u201d but I suppose authenticity is subjective anyway in this context.<\/em><\/p>\n We understand that you incorporate the alto-saxophone into your live performances. How does this instrument add to the live experience, and what led you to include it in your sets?<\/strong><\/p>\n I started playing the alto-saxophone, clarinet, and baritone-sax at age 12, eventually traveling the country in high school to perform as part of a jazz band. The real push to include the alto-sax in my live sets happened while watching a Big Wild show for the first time back in 2018 \u2014 his sets involve mixing live instruments with dance music in a way that just clicked for me. It made me think, \u201cHey, I can bring my own twist to this.\u201d\u00a0<\/em><\/p>\n So, having been able to play for so many years, it was easy for me to identify moments in a typical DJ set where a sax could enrich the track. The natural evolution of this was for me to start including it in my original music \u2014 the most prominent track with sax thus far has been \u201cChase\u201d which I released last year.<\/em><\/p>\n Having supported major artists like Deadmau5, Flume, and Rezz, what have been some standout moments or lessons learned from these experiences that have influenced your own musical journey?\u00a0<\/strong><\/p>\n Sharing the stage with giants like Deadmau5, Duke Dumont, and Rezz was like taking an advanced course in how to truly connect with an audience. Watching them work, I saw firsthand how they craft a journey through their sets, blending emotions and energy to create unforgettable experiences.<\/em><\/p>\n Prior to opening for these artists, I adopted a highly analytical approach, dissecting their sets to understand the timing between tracks, transition styles, crossover elements, the pacing of BPM throughout a set, and more. Understanding their techniques in this way taught me the importance of flow in a live set, how to weave together different tracks while placing them in the larger context of the full performance.<\/em><\/p>\n The biggest takeaway for me has been the value of staying present and adaptable. I very quickly moved away from pre-planned sets in favor of a more fluid, dynamic approach, allowing me to better engage with the audience and react in real-time.<\/em><\/p>\n \n\n